Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,
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Phillips, Ammi Betsey Beckwith oil painting


Betsey Beckwith
Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
Painting ID::  72372 		Phillips, Ammi
Betsey Beckwith
Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
   
   
     
Phillips, Ammi Jeannette Woolley later Mrs John Vincent Storm oil painting


Jeannette Woolley later Mrs John Vincent Storm
Date between 1835(1835) and 1845(1845) Medium Oil on canvas Dimensions 83.8 X 71 cm (32.99 X 27.95 in) cyf
Painting ID::  72631 		Phillips, Ammi
Jeannette Woolley later Mrs John Vincent Storm
Date between 1835(1835) and 1845(1845) Medium Oil on canvas Dimensions 83.8 X 71 cm (32.99 X 27.95 in) cyf
   
   
     
Phillips, Ammi Phillips oil painting


Phillips
Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
Painting ID::  72677 		Phillips, Ammi
Phillips
Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
   
   
     
Phillips, Ammi Mrs Wilbur oil painting


Mrs Wilbur
English: "Mrs. Wilbur (Sarah 'Sally' Stearns) Sherman (1789-1845) and daughter Sarah (1814-1872)," oil on canvas, by the American artist Ammi Phillips. 36 in. x 30 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
Painting ID::  74800 		Phillips, Ammi
Mrs Wilbur
English: "Mrs. Wilbur (Sarah 'Sally' Stearns) Sherman (1789-1845) and daughter Sarah (1814-1872)," oil on canvas, by the American artist Ammi Phillips. 36 in. x 30 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
   
   
     
Phillips, Ammi Wilbur Sherman oil painting


Wilbur Sherman
English: "Wilbur Sherman (1776-1856)," oil on canvas, by the American artist Ammi Phillips. 32 in. x 26 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
Painting ID::  74811 		Phillips, Ammi
Wilbur Sherman
English: "Wilbur Sherman (1776-1856)," oil on canvas, by the American artist Ammi Phillips. 32 in. x 26 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
   
   
     
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     Phillips, Ammi
     American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,

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